The Land is an original, three act play, concerning the past, current and about to be future ( unless something changes quickly ) Israeli/Palestinian conflict. It looks at the catastrophic mistakes of History that have led to the present cycle of violence, through the eyes of two women (Amirah and Tamara) and their families. The first act begins during the Second Intifada and the final act occurs in Gaza during Operation Cast Lead. As this very human drama unfolds, the audience is taken on an often shocking, emotional and provocative journey that climaxes with a surreal but hopeful ending. The setting of The Land is Jerusalem, but the story is about all of us, struggling to co-exist on this fragile planet.





Monday, February 1, 2010

The Cast

The cast of actors who came together for the play were as eclectic as the people of The Land! Ana Chavez (http://www.taosrocks.com/) a Latina New Mexican with roots in Moorish/Jewish Spain played Amirah, the Palestinian mother of Ahmed (a challenging role, played by the gifted Christopher Heron.) Cynthia Straus (who is Jewish) http://www.cynthiastraus.com/ played Tamara, the conflicted Israeli mother of Daniel, played by Gus Chinlund (who has Chinese and Jewish heritage.) My talented daughter, Genevieve Robinson-Oswald, who is a Jewish Viking (her father is of Nordic descent), played the American (Christian ) journalist Catherine, as well as the intense role of the Shekinah. Khalil Khweis (born and raised on The Mount Of Olives) and his niece, Majdolene Khweis played (not a huge stretch) Palestinians whose lives have been torn asunder by the well meaning but disastrous turn of events, caused by the Balfour Declaration and Zionist zealots. Alan Tafoya http://www.alantafoya.com/ played an Israeli Druze soldier and David Behrstock (himself, of Jewish heritage) owner of The Taos Plaza Theatre and co-director of The Land, took on the role of an Israeli soldier. Anpo Cash (Apache/Blackfoot) and Krystina Siebenaler played radical Jewish settlers and Hamas supporters. They also played the roles of Hagar and Sarah in a scene with the Shekinah. They were part of the three women chorus (with Majdolene Khweis) symbolising the Paleolithic Triple Goddess. A recurring theme in the play which calls to the Eternal Feminine Principal to bring healing to these ancient wounds.

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